In Dialogue
We can be in dialogue with our whole being, accepting what life makes of us, taking what has happened, and making of it something new. From this dynamic exchange comes aliveness—our own and the world’s.
The Writing Process
Broken & Beautiful: How the Light Gets In
The funny thing is that, wrong as we are, we do belong here, and wrong as our work may be, it belongs as well. Everything is cracked, and everything is beautiful.
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Undoing the Single Story
Revision insists that we reject the single story in favor of layered, complex, and contradictory stories. Just as intimacy and awareness break down our stereotypes, intimacy with and awareness of our material break apart our over-simplifications and half-truths.
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Permission for Privacy
Because of Robinson’s vast permission to explore what she wills however she wills, she’s creating literature that ministers to a profound and very contemporary thirst—for grace, for beauty, for kindness. She teaches me that those hidden, peculiar, contrary motivations that rise up when I’m given solitude are even more worthy than I thought.
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Creative Rest
All writers know the magic of putting aside a problematic passage (for a nap or a walk) only to have the solution appear unbidden. This turning away from writing is, paradoxically, an essential part of writing.
The Story Comes First
I’m increasingly convinced that what makes writing (both the process and the product) valuable is its service to the story. Nothing else satisfies in the end—not success, not recognition, not extraordinary craft accomplishments, certainly not money.
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Good Enough
Over my years of teaching writing I’ve had hundreds of people ask me, “Is this writing good enough?” This question shows up in different forms—“Is it publishable?” “Do I have talent?” “Should I keep going?” But it’s inevitable. I’ve yet to work with a writer (or meet any artist, for that matter) who didn’t ask
Accepting Rejection, Rejecting Acceptance
(A big thanks to participants in the Book Binders’ Salon for a stimulating conversation last night about rejection. I’m indebted to you for most of this post!) “Rejections slips,” wrote Isaac Asimov, “however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil – but there is no way around them.” The
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Delivering Hannah
Here’s the scene that comes to me: Hannah, fairly new in her midwifery apprenticeship, making a mess of her first attempt to draw blood. She’s hesitant to poke the needle deep enough to catch a vein, so blood spurts everywhere and the man who has offered his arm is hurt, albeit not much. Hannah develops a full-fledged terror of drawing blood. She’s sure that by inserting herself into others’ lives, she’ll hurt them.
Silence: A Writer’s Source
Recently I attended a secular conversation at which the word “Source” was batted around the way religious folks use the word “God.” I find “Source” a helpful term, although perhaps not big enough to encompass my sense of divine presence. But it got me thinking: What’s a writer’s source? What grounds us and inspires us?
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