I’ve known for a while and repeatedly told my students that writing continues to offer us invitations to spiritual and personal growth even after we’re finished. Publishing and publicity can become opportunities to deepen our integrity, expand our communities, and understand the world more accurately. Of course in the mess of book production and the […]
The Story about the Story Read More »
As I move to the close of my second decade of teaching creative writing, I’m experiencing a dramatic shift in my philosophy. Writing has always been for me a means of personal discovery; I came to understand and claim my identity as a bisexual Christian when writing Swinging on the Garden Gate, and then melded
Writing from Deep Gladness to the World’s Deep Hunger Read More »
(This blog post is reprinted after appearing in The Loft’s “Writer’s Block.”) “I’m not interested in spiritual stuff. I just want to write stories.” A friend—a thoughtful, church-going friend—said this to me in passing the other day. Since she couldn’t hear my internal temper-tantrum, I’ll give it here: What in tarnation is more spiritual than
Four Excuses Not to Write Spiritual Memoir, and One Invitation Read More »
This past weekend my sister married the man she loves in a sunny meadow. Because this was her second marriage, she had resisted it mightily—“marriage” is a story the culture imposes on couples, and it doesn’t necessarily work. You have to understand—Marcy is a woman who, on her own, adopted two boys from Guatemala; she
Write–Or Be Written. Read More »
When I teach, I often ask the question, “What’s at stake for you in this story?” I’m not alone; it’s a common question in the world of writing. Students are puzzled by it, however, and usually ask me to explain. Really I’m looking for the intersection between the writer’s heart and the words on the
You Are What You Write Read More »
Perhaps the most important question for every creative writer to ask—and definitely the hardest question to answer—is “What’s at stake for me?” For writing to work well, the writer must care deeply. On the surface this question seems simplistic; our care is instinctive, compelling, and unspoken. In practice, the journey through revision is an excavation
Whenever I get swept up in the competitive, audience-seeking dimension of the writing life, I turn to Rilke’s Letters to a Young Poet as an antidote. Rilke returns me to my essential, life-giving reasons for writing. What goes on in your innermost being is worthy of your whole love; you must somehow keep working at it
From Rilke, With Love Read More »
During a moment of discouragement this morning—others writers have better focus than me, more time to read great literature, no three-year-old pulling love and attention away from the page—I flashed back to college, to what I now realize is a seminal moment in my development as a writer. The world looked bleak (Was it my
A critical but usually unspoken component to writing well is the quality of the human being who writes. Is he or she smart? Thoughtful? Curious? Provocative? Original? Has he or she done emotional research to undergird the story? “Living a conscious and reflective life is a prerequisite for writing a memoir of substance,” writes Judith
Life Behind the Writing Read More »
Here’s an observation to chew on: A few times in my career as a writing instructor, I’ve coached retired therapists in writing their memoirs. These are people who have worked with their personal stories over decades; they’ve had extensive experience in therapy and have continued to explore their stories through supervision groups and continuing education.