Writing

Accepting Rejection, Rejecting Acceptance

(A big thanks to participants in the Book Binders’ Salon for a stimulating conversation last night about rejection. I’m indebted to you for most of this post!) “Rejections slips,” wrote Isaac Asimov, “however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil – but there is no way around them.” The

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Art is Long

Perhaps the kindest—and most instructive—comment I’ve ever received from a reviewer came from Mary Rose O’Reilly, author of The Barn at the End of the World: “I can imagine that [Elizabeth] has spent many hours staring out the window until she arrives at a lived-synthesis of what the great religions and irreligions have to tell

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All Hail the Verb!

Verbs know how to party. Nouns might be great to look at, but they just sit around. Adjectives inevitably take up your time; adverbs always seem needy; and those innocuous articles are wallflowers. Introduce a lively verb to the crowd, however, and everyone sparkles. Suddenly there’s dancing and arguing and necking behind the sofa. Bring

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Author / Authority

What gives YOU the authority to write?  Not a nice question, but it’s certainly one writers ask ourselves.  I’m asking it afresh as Hannah, Delivered heads to the book stores next month.  Was I deluded to think this novel belongs in the world?  Surely I’ll be found out to be a fraud! I’ve yet to

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